Who's
Got Next, in Rap? Part I
by: Malik Sinsear, for Entertainment
Do y’all
understand how powerful Hip-Hop is? It dictates fashion, jargon,
behavior and touches the worlds economy in such a profound
way that every big wig executive on Madison Avenue (every smart
one, anyway) is spending more time listening to Jamal the intern
than Joshua, the senior manager as it relates to what the urban
community is in to. The marketing campaign for the next Jay-Z
or 50 Cent and the millions of dollars they’ll help generate
for Corporation-X is being drawn up as we speak with only the
figurehead not in place.
A big wrestling
Jew by the name of Bill Goldberg once asked “Who’s
next?” I’m here to answer that question. In
no particular order, this is my list of MC’s who have
the best chance at being “next.”
Alright,
I understand that he will probably never be given a fair
shot because of past beef with DJ Clue, but I can honestly
say since 1999, the young MC (npi) out of Queens has had
one of the best discographies in Hip-Hop. Unfortunately due
to the Clue thing and a few messy label situations he hasn’t
had the opportunity. Currently, working on material to be
distributed through his older cousin, basketball star, Lamar
Odom’s Rich Soil label, Ali is supposedly
working with the likes of KanYe West and Christina Aguilera.
Since hitting the scene at
only 16 with the imaginative underground
hit Narcotics, which the Prince of New York rapped
from the perspective of drug paraphernalia through one of
his latest gems, If I, where he rhymes from under
the rubble of the World Trade Center, Ali has not only been
classified as a master lyricist, but a superior story teller
with the innate ability to give detail, making the listener
feel like they’re right there. Just to illustrate how
much potential he had, when he was 16, the super producing
Trackmasters fresh off their success with first time platinum
artist Nas, are given their own label on Columbia Records.
The label is disbanded before the only two rap artists they’ve
signed are able to release their albums. The artists are
Ali Vegas and 50 Cent. My only other concern with Ali at
this point is that he’s not given all of his potential
away for free and has to present the public with only fumes
of what was once the next great MC in waiting.
check out
Ali here: http://rich-soil.com/
If
the parallel of 50 Cent:Ali Vegas is consistent with
Ali Vegas:Corey Gunz, then I’m pretty confident the
latter will be satisfied with the forthcoming results. Just
as the respected Trackmasters only had the confidence to
sign 50 and Ali, when industry heavyweight, Tommy Mottola
started his new label, Casablanca, the first two rappers
signed were Vegas and second-generation star in waiting Corey
Gunz (his father, Peter Gunz). Flow wise, he’s the
strongest out of anyone that will be named in this feature.
After hearing him chop it up over
Cam’ron’s Get ‘em
Girls, I had no doubt that he could rap
damn near line for line with Twista, Krazy Bone or whoever.
Word is his project was being held up by Tommy while he began
his Apprenticeship
with Jay-Z. The guy who’s currently most famous for
being Shaq’s godson has the potential to be the next
big check casher in rap.
Shout
out to Spot and his team. I wasn’t much up on him until
they forwarded some material to me. A fourth of the way through The
Good Son, his defining mixtape and I could only hope
others would be able to hear what I was hearing. Spot is
what I consider to be what New York has been void, the past
number of years: the rock. His flow is decent, but what he
does with his stories, he doesn’t need 15 superific
flows to illustrate his picture. It’s simply effective
and he brings back memories of old Boot Camp classics, but
not as dark. Really, I can Spot talent when I see it and
he’s got plenty. Hopefully he doesn’t get lost
on the current island of New York mixtape rappers.
I
dunno if I want Saigiddy to blow more to hear his music or
just to hear him speak his mind and air out all of the bullshit
that’s currently clouding the Hip-Hop industry. I consider
Saigon a crossbreed between Nas and 50 in that he has 50’s
charisma as well as his ability to create melodies and Nas’ consciousness.
Speaking of 50, if you think he doesn’t hold his tongue
on any subject, just wait till you hear Saigon weigh in on
any and everything. I really hate to compare rappers to ‘Pac,
but on a revolutionary scale, I’ll just say they better
not let this boy sell no records. A product of New York’s
correctional facilities since his early teenage years, when
he places violence in his lyrics, it doesn’t feel forced
like he’s trying to prove himself to you, but more
so because he wants you to understand how dumb it is and
why he’s been chosen to explain. Signed to Just Blaze’s,
Fort Knox label, you can damn near pencil in the production
for his upcoming album as a bucket. That coupled with his
reoccurring role on HBO’s Entourage and all
that’s
left is for Sai to deliver his bomb to western civilization.
Let’s
see, how exactly can I describe Jersey’s young gun,
Nucc; he’s kind of like a mixtape rapper, but if you
skipped through a handful of mixtapes, and you stumbled upon
his, you would immediately be drawn to it because he does
the same things the other guys do better than them. His distinct
voice and cockiness make everything that much more believable.
Whereas the other 15 guys sound like the ones on the corner
foolishly working right in front of the Feds, Nucc’s
informant told him where the cops would be and he’s
three blocks away delivering. For him to separate himself
from the pack of mixtape rappers, he’ll have to show
the ability to make songs and really convince the public
that he can provide them with the substance side of an album.
So,
let’s get this straight, the south has crunk music,
snap music and booty shake music on lock, right? With the
recent successes of Lil Wayne and T.I. there seems to be
another form of rap the south is leaning towards with “Swagger
Rap.” Birthed by Kane and made into a religion by Jay-Z,
Rick Ross looks poised to be the next one to capitalize off
it. Now, with Jay, Def Jam and all of Miami behind him, this
seems like the safest artist of everyone mentioned in this
feature. As far as skills, Rick doesn’t necessarily
do anything to wow you, but he has presence and sometimes
that along with the machine is more important to ones success
than actually talent…sadly. Production will make or
break this guy. I’m pretty sure the folks at Def Jam
understand this, so look to hear more Hustlin’ type
records from Ross as he attempts to cement his name in game.
Might
as well sneak Joe in here. Seriously, I
know we give Joey quite a bit of attention over here (*see The
Joe Budden Theory), but the
truth is he’s still relatively young in the game and
only one album deep into his career. Okay, enough with the
bullshit, we really didn’t want to include him in this
feature, but based off Mood Muzik II, we just had
to put him on the list. It’s the best mixtape in ages
and it plays damn near like the best album in that same span
of time. Yeah, Joe has the punch lines, the similes
and the greatest wealth of sports references ever (“Can’t
be Pat Ewing, lookin’ back on that lay-up,” although
simple, my fav. B-ball line in years), but his honesty and
willingness to really put everything out there, even at the
risk of looking like a simp, is what makes Joe Budden 2006
that much better than Joey 2002. If Def Jam has any sense
they will get behind Joe and give him the chance to do what
their current president had his chance to do.
*Look
for Part II of “Who’s Next in Rap?” where
we will talk about the west and yes, Lupe.
Got any suggestions? Let us know.